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If I had to fire

beginning of the fourteenth century the Dolce Stil Novo was the most popular poetic genre. The topic of love was expressed in verses of great elegance. The woman, otherworldly creature, was intermediary between the earthly and the divine, true love was platonic, the poet and ennobles him closer to God
At that time the comic poetry he produced poetry of great provocation. The comic poetry had the task of reversing all the canons of courtly poetry, give priority to the more material aspects of life and the pleasures of this world. The genre, style, and recovering the salient aspects of poetry and highest educated of the time, created a parodic contrast, a reversal of the outcome comic style and playful. The largest representative of this genre was Cecco Angiolieri who praised the worldly passions against the spiritual values. Cecco Angiolieri (Siena, about 1260 - Siena, 1313 circa), belonged to a wealthy family in Guelph. Not much is known about him, he had a disorderly and dissipated life, devoted to women, taverns and gambling (there were three things he loved most), so that after his death, his gave up five children to inherit, because burdened with too many debts. Even today it is one of the poets most loved by young people because they lived life with no brakes. The sonnet Cecco is most famous Angiolieri If I 'was fire, arderei' the world who follow the strand of literature goliardic, desecrates the conventions and celebrates earthly pleasures. In the texts of Ben, the famous character is the undertaker, anti-Beatrice man rooted to the ground and materialism instead of leading to the divine elements in Cecco applicants are also the merry band of young people, the pleasures of life, love of gambling, the personal invective, style and playful caricature. Other poets of the comedy were Rustico di Filippo, Meo de 'Tolomei, Folgore da San Gimignano. If I
The sonnet 'was fire, arderei' the world had transpose music by Fabrizio de André , Volume III album of 1968. Thanks to Fabrizio de André temporal distance is canceled, and the sonnet is proving to be infinitely and most modern, giving us an extraordinary work of art, music and poetry, as well as an unprecedented encounter between two artists far removed in time.
public here the original text of Cecco (Marti edition of 1956) and a video with the famous song If I were sung by the great fire de André. Happy reading and happy listening.

If I 'was fire, burn' the world;
if I 'was the wind, the tempestarei;
if I' were water, the 'drowning;
s'i' fosse Dio, mandereil'en profondo;

s'i' fosse papa, serei allor giocondo,
ché tutti cristïani embrigarei;
s'i' fosse 'mperator, sa' che farei?
a tutti mozzarei lo capo a tondo.

S'i' fosse morte, andarei da mio padre;
s'i' fosse vita, fuggirei da lui:
similemente faria da mi' madre,

S'i' fosse Cecco, com'i' sono e fui,
torrei le donne giovani e leggiadre:
le vecchie e laide lasserei altrui.

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Cinepillole

Never let me go  - Mark Romanek (2010)

Sullo sfondo una scuola idilliaca, immersa nella campagna inglese, giovani studenti in attesa di crescere: Tom, Ruth e Kathy H spiccano tra tutti. Tom "dal cuore grande e dalla terribile rabbia" conteso tra le due amiche: Ruth così decisa ma così insicura e Kathy H, così sensibile e remissiva.

Starete pensando: il solito triangolo tear-jerking love, where everything goes the wrong way and rushed always in the most vulgar sentimentality, the kind that makes you gnaw your liver after viewing.

would definitely end this way, except that the school in an idyllic reality is an institution for young clones, prospective organ donors, whose life has already been programmed. Its vision is dystopian (or utopian?) Of an alternative world, where life expectancy has lengthened, the most humiliating diseases become curable and all this thanks to cloning legalized. The problem Ethics seems to have exceeded its legal, but psychological.

How could it be different from any other life than a clone? Awaits them tasteless and miserable existence or be able to demonstrate that they have a soul?

The director Mark Romanek is moving in a gentle, warm colors, hypnotic. ; The melancholy hovers over everything the film and, in particular, the three protagonists who seem resigned to their saving mission. The physical mortification to which they are subject is barely touched by the director who prefers to stay on an emotional level, rather than ethical. The effect is alienating. I was expecting a science fiction story and yet I find myself in front of a story with shades myths and heartbreaking. Perhaps this is apparent and the total balance is so painful for the viewer.

A touching film, intense in its minimalism. And so the cast: Andrew Garfield (which I personally loved "The Social Network"), Keira Knightley (A little 'fuzzy, overshadowed the other main character) and Carey Mulligan (clearly declined in the role).

In general, the film moves very quietly until the final explosive (as opposed performance of the film) and so the actors, modest and deeply absorbed from the air, except in flashes, the character of Ruth. This should not lead you to think that the pace of the film is slow because the story is engaging, interesting, and it is impossible that there is no escape down a tear. The effect is short of three puppies abandoned on the street, victims of an injustice not to give up to get excited and excited to be reflected.

The atmosphere is magical, out of time and space, a touch of melancholy elegance. Wonderful photography. Excellent film.

Rating: 8.5.

PS I forgot to tell you that the film is based on beautiful novel by Kazuo Ishiguro.